Not in Print: playwrights off script - on inspiration, process and theatre itself

‘The law of sexual assault spins on the wrong axis’: Suzie Miller on her play, Prima Facie

"Five years at law school,
eleven years of practice,
I have always believed.
Now I need to know that I was not mistaken."

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In this episode we spoke with playwright Suzie Miller about her award winning play, Prima Facie.

Winner of the 2018 Griffin Award, Prima Facie is an indictment of the Australian legal system’s failure to provide reliable pathways to justice for women in rape, sexual assault or harassment cases. It’s a work of fiction, but one that could have been ripped from the headlines of any paper, any day of the week, so common you could cry.

Tessa is a criminal lawyer at the top of her game who knows the law permits no room for emotion.

To win, you just need to believe in the rules. And Tessa loves to win, even when defending clients accused of sexual assault.
Her court-ordained duty trumps her feminism. But when she finds herself on the other side of the bar, Tessa is forced into the shadows of doubt she’s so ruthlessly cast over other women.

Turning Sydney’s courts of law into a different kind of stage, Suzie Miller‘s (Sunset Strip, Caress/Ache) taut, rapid-fire and gripping one-woman show exposes the shortcomings of a patriarchal justice system where it’s her word against his.

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Prima Facie will be showing again at Griffin Theatre, 23 June - 10 July 2021. Tickets here: https://tinyurl.com/4j8kd74x

Grab copies of the script here: https://tinyurl.com/5zdjzr2y

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Music by Grace Turner.

Thank you to Sarah Easterman for reading the excerpts from the play for this episode. 

 

Silent Disco: plugging in and tuning out l Award-winning Australian theatre

Tamara and Jasyn are in love. Jasyn wants to take Tamara to the formal, but he hasn’t got the cash. And in a world of absent mothers and distant fathers, Miss Petchall battles to keep another year of students out of the ranks of the vanished. Tamara and Jasyn soon come to realise just how hard it can be to find your own rhythm when everyone is marching to the beat of a different drum.


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Lachlan Philpott is a playwright, director and teacher. He graduated from the University of New South Wales, The Victorian College of the Arts and NIDA’s Playwrights Studio. He has previously been Artistic Director of Tantrum Theatre in Newcastle, writer-in-residence at Red Stitch in Melbourne and the Literary Associate at ATYP.


His plays have been performed across Australia as well as Ireland, the UK and the USA. They include Air Torture, Bison, Bustown, Catapult, Colder, Due Monday, Running Under the Sprinkler and Truck Stop.

The Excruciating Theatre of Declan Greene l Reflections on award-winning Australian theatre

Toby Leon reads Declan Greene’s Excruciating Theatre. It's Chris Kohn’s foreword to Moth, by Declan Greene, which Chris commissioned in 2010 when he was the Artistic Director of Arena Theatre Company in Melbourne.
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