Not in Print: playwrights off script - on inspiration, process and theatre itself

Silent Disco: plugging in and tuning out l Award-winning Australian theatre

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Tamara and Jasyn are in love. Jasyn wants to take Tamara to the formal, but he hasn’t got the cash. And in a world of absent mothers and distant fathers, Miss Petchall battles to keep another year of students out of the ranks of the vanished. Tamara and Jasyn soon come to realise just how hard it can be to find your own rhythm when everyone is marching to the beat of a different drum.


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Lachlan Philpott is a playwright, director and teacher. He graduated from the University of New South Wales, The Victorian College of the Arts and NIDA’s Playwrights Studio. He has previously been Artistic Director of Tantrum Theatre in Newcastle, writer-in-residence at Red Stitch in Melbourne and the Literary Associate at ATYP.


His plays have been performed across Australia as well as Ireland, the UK and the USA. They include Air Torture, Bison, Bustown, Catapult, Colder, Due Monday, Running Under the Sprinkler and Truck Stop.

The Excruciating Theatre of Declan Greene l Reflections on award-winning Australian theatre

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Toby Leon reads Declan Greene’s Excruciating Theatre. It's Chris Kohn’s foreword to Moth, by Declan Greene, which Chris commissioned in 2010 when he was the Artistic Director of Arena Theatre Company in Melbourne.