Not in Print: playwrights off script - on inspiration, process and theatre itself

Introduction to Brumby Innes and Bid Me to Love - Ric Throssel

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Alana Valentine—one of Australia’s most renowned and respected playwrights, whose work includes Parramatta Girls, Eyes to the Floor, Shafana and Aunt Sarrinah, Grounded and Cyberbile—reads the preface to the double edition of Brumby Innes and Bid Me to Love, two plays written by another of Australia’s literary treasures, Katharine Susannah Prichard. The introduction was written by Prichard's son, Ric Throssell.

A little bit about Katharine Susannah Prichard

Prichard was born in Levuka, Fiji, where her father was editor of the Fiji Times. She matriculated from South Melbourne College and worked briefly as a governess. She later taught in Melbourne studying English literature at night.

In 1908 she travelled to London, working as a freelance journalist for the Melbourne Herald and, on her return, as the social editor of the Herald's women's page. In 1912 she left for England again to pursue a career as a writer and published two novels, The Pioneers and Windlestraws. She met the Australian Victoria Cross winner, Captain Hugo Throssell while away and in 1919 she married him and moved to Western Australia. Already a committed Communist in 1920, she was a founding member of the Communist Party of Australia. In 1922 her only son Ric Throssell was born. While she was on a trip to the Soviet Union in 1933 Hugo Throssell committed suicide.

From the 1920s until her death she lived at Greenmount, Western Australia, earning her living as a writer of novels, short stories and plays. Her novels include Black Opal; Working Bullocks; The Wild Oats of Han; Coonardoo; Haxby's Circus; Intimate Strangers; and the goldfields trilogy The Roaring Nineties, Golden Miles and Winged Seeds. Prichard was a member of the Communist Party of Australia until her death, and her political concerns were reflected in most of her published work. Her novels were published throughout the world and translated into numerous languages. In 1951 she was nominated for the Nobel Prize for Literature.

A few words about Brumby Innes and Bid Me to Love

Written in the 1920s, Brumby Innes confronts the turbulent relations between the sexes and the races in the remote Pilbara region of Western Australia. It is published with another Prichard play from the 1920s, Bid Me To Love which, by contrast, is set among the fashionable rich in the lush hills outside Perth.


The Secret River: Our history is contested space l Classic Australian theatre

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William Thornhill: Born into brutal poverty in London in the late 18th century and transported to the Colony of New South Wales for theft in 1806. After earning his freedom he brings his wife and children to the Hawkesbury River where they ‘take up’ 100 acres of land, only to discover that it’s not theirs to take.

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Andrew Bovell writes for the stage, television and film. In 1992 he wrote the original screenplay for Strictly Ballroom and in 2001 he went on to adapt his stage play Speaking in Tongues in to the feature film, Lantana. The film premiered at the Sydney Film Festival in 2001 and went on to screen at numerous international film festivals winning many awards. Most recently Andrew adapted John Le Carre’s novel A Most Wanted Man.

His theatre credits include Scenes from a Separation (with Hannie Rayson); Speaking in Tongues, which premiered at Griffin Theatre in 1996 and has had over 50 other productions worldwide; Holy Day, which won the Louis Esson Prize for Drama at the Victorian Premier’s Literary Awards and the AWGIE Award for Best Stage Play (2002); and When the Rain Stops Falling, which won Queensland and Victorian Premier’s Literary Awards for Best Play, the Adelaide Critics Circle Individual Award, Sydney Theatre Award for Best New Australian Work and 3 Greenroom Awards including Best New Writing for the Australian Stage.

Brothers Wreck: How many people does it take for us to live? l Award-winning Australian theatre

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Brothers Wreck is about life, even though it begins with a death. On a hot morning under a house in Darwin, Ruben wakes to find his cousin, Joe, hanging from the rafters. What follows is the story of a family buffeted by constant tragedy, holding itself together. And little by little, they bring Ruben back from the edge.

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Jada Alberts is a Larrakia, Bardi, Wadaman and Yanuwa performer from the Top End of Australia. She graduated in 2006 from the Adelaide Centre for the Arts and in 2007 won the Adelaide Critics’ Circle Award for Best Emerging Artist. Jada has appeared on stage in Frost/Nixon, The Birthday Party, Second to None and Yibiyung; most recently she played Goneril in the national tour of The Shadow King. Jada appeared in the feature film Red Hill and on television in Rush Series III, Redfern Now, Wentworth and the upcoming Wentworth Series II. Jada is also an accomplished musician and painter of contemporary Indigenous art, and in 2013 she won the Balnaves Foundation Indigenous Playwrights Award.

Radiance: Families are full of secrets l Classic Australian theatre

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Cressy, Mae and Nona are half sisters with little in common bar the ghosts from their childhood. They return to their childhood home on the eve of their mother’s funeral. The tropical Queensland landscape is the spectacular backdrop for their turbulent and often humourous reunion. And they discover a surprising bond that is stronger than the pain of their history.


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Louis Nowra is one of Australia’s most successful writers. He has penned novels, crafted film scripts, authored two memoirs and worked as a librettist, but he is perhaps best known for his plays. Since the early 1970s he has created over 30 stories for the stage; several of them have earned a rightful place in the Australian dramatic canon, and our hearts. They include Summer of the Aliens, Cosi, The Golden Age, The Temple and Albert Names Edward.

Introduction to Radiance l Classic Australian theatre

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Louis Nowra reads his introduction to his play, Radiance. It’s called Women on the Mud Flats and it charts the journey of the work from a single image, into the shape of a story, to the premiere production and beyond. But this isn’t just a recount of the tale. If you're a believer in fate, you will see that Radiance is a story that was destined to be told.


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Louis Nowra is one of Australia’s most successful writers. He has penned novels, crafted film scripts, authored two memoirs and worked as a librettist, but he is perhaps best known for his plays. Since the early 1970s he has created over 30 stories for the stage; several of them have earned a rightful place in the Australian dramatic canon, and our hearts. They include Summer of the AliensCosiThe Golden Age, The Temple and Albert Names Edward.

Rainbow’s End: What’s the definition of a hero? l Thought-provoking Australian theatre

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Set in the 1950s on the fringe of a country town, Rainbow’s End is a thought-provoking, often hilarious and emotionally powerful snapshot of a Koori family - Nan Dear, her daughter Gladys and Gladys’ daughter Dolly; it dramatises their struggle for decent housing, meaningful education, jobs and community acceptance.

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Jane Harrison is an indigenous Australian writer and playwright. A descendant of the Muruwari people of New South Wales, from the area around Bourke and Brewarrina, Harrison grew up in the Victorian Dandenongs with her mother and sister. She began her career as an advertising copywriter, before beginning work as a writer with the Ilbijerri Theatre Company. In the late 90s, Harrison was commissioned by Ilbijerri to write Stolen, about the Stolen Generations. The play premiered in ‘98, and was followed by seven annual seasons in Melbourne, plus extensive national and international tours.

Silent Disco: plugging in and tuning out l Award-winning Australian theatre

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Tamara and Jasyn are in love. Jasyn wants to take Tamara to the formal, but he hasn’t got the cash. And in a world of absent mothers and distant fathers, Miss Petchall battles to keep another year of students out of the ranks of the vanished. Tamara and Jasyn soon come to realise just how hard it can be to find your own rhythm when everyone is marching to the beat of a different drum.


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Lachlan Philpott is a playwright, director and teacher. He graduated from the University of New South Wales, The Victorian College of the Arts and NIDA’s Playwrights Studio. He has previously been Artistic Director of Tantrum Theatre in Newcastle, writer-in-residence at Red Stitch in Melbourne and the Literary Associate at ATYP.


His plays have been performed across Australia as well as Ireland, the UK and the USA. They include Air Torture, Bison, Bustown, Catapult, Colder, Due Monday, Running Under the Sprinkler and Truck Stop.

Introduction to Silent Disco l Reflecting on award-winning Australian theatre

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Noel Jordan reads his introduction to Silent Disco, by Lachlan Philpott. Jordan is currently the Education Manager at Melbourne Theatre Company. He's previously worked as Director of the Come Out Festival, Curator and Producer at the Casula Powerhouse Arts Centre, Producer for Young Audiences at Sydney Opera House and a Drama Lecturer at the University of Melbourne.